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dresses worn by the hero or the heroine; the delightful scene in all its point unless Gloster is in black and scarlet; and the Anne Page's gown. As for the uses Shakespeare makes of disguises under a peasant's garb, and Edgar his pride beneath an idiot's in 'all points as a man'; the cloak-bag of Pisanio changes Imogen dress, and Julia ties up her yellow hair in fantastic love-knots, shepherd, and Romeo his as a pilgrim; Prince Hal and Poins appear leather jerkins as the waiters in a tavern: and as for Falstaff, Hunter, and as the clothes going to the laundry? Nor are the examples of the employment of costume as a mode of Duncan, Macbeth appears in his night-gown as if aroused from sleep; flatters the London citizens in a suit of mean and shabby armour, through the streets in crown and George and Garter; the climax of robes, sends Ariel for his hat and rapier, and reveals himself as mystical apparel to produce different effects; and as for Juliet, a and made the scene a scene of horror merely, but Shakespeare arrays 'a feasting presence full of light,' turns the tomb into a bridal triumph of Beauty over Death. Even small details of dress, such as the colour of a major-domo's .

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Original source @ wikipedia.